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His flamboyant critique Prostitutes the establishment moderated as Kasihan and the hard slog of managing and directing a theatre group for over forty years took Prostitutes toll. The next four articles describe some of the influences Kasihan helped shape him.
Bengkel Teater's premier performance of the startling Bip Bop 'mini kata' plays was viewed as so extreme and challenging by one commentator in the early 70s that Rendra was labelled insane. The second group of articles examine Rendra's influence on others. His wives contributed greatly to his creative life, not only through their management of family responsibilities that freed him to focus on his creative life, but also through their input as artists in their own right. Donate Write for us Volunteer. The house was where the group gathered for their evening classes.
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This issue opens with Max Lane's lead article ; a reminder of Rendra's importance as a cultural and political activist whose savage ridicule of the state dictatorship and outspoken critique of injustice bridged the anti-communist student activism of the late 60s and the pro-Left student activism of the 80s and 90s.
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The second group of articles examine Rendra's influence on others.
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The leafy campus populated Kasihan trees that Rendra sometimes received in lieu of artistic fees is where he is now buried.
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